Ianis Horne

The hand lettered title on the cover of the 1914 tune “I Want you to Meet My Mother” served as the inspiration for Nouveau Date JNL, which is available in both regular and oblique versions.

Liquid Monogram Font is a perfect round shaped monogram font consisting of 78 letters and 1 frame. 

With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase!

Liquid Monogram Font comes with font file in .otf format. It features all the modern advanced font features such as contextual alternates, effectively eliminating the need to use multiple separate font files for left, center and right letters.

Arlian is how I see an elegant scripting font in 2020. The idea behind this typeface is to create a well-balanced, versatile and gender-neutral typeface.

  The typeface does not look overloaded with various elements of the Victorian era. Everything is simplified for 2020, which will also appeal to the younger generation.

This typeface pays homage to numerous Victorian and Art Nouveau predecessors, while straying somewhat beyond their usual conventions. All lowercase letters ascend in unison, whereas capitals descend below the baseline. A rigid set of uniform strokes keeps the chaos reigned in, while various calculated inconsistencies affect a vaguely hand-drawn quality to this quirky, downright decadent font.

Comes packaged with the standard complement of alpha-numeric glyphs, punctuation marks, mathematical symbols, and Western European diacritics.

Kaleidoscope is a groovy retro font with roots in the Art Nouveau movement and the psychedelic sixties. Works great for trippy band or festival posters, logos, invitations, and anything that needs a flowing funky vibe.

A unique display font with lots of beautiful alternate characters that you can combine to get attractive final lettering with nice and dynamic shapes just in seconds!

Dictio will work great in many design forms, for example, Magazines, postcards, logos, Wedding projects, and many more.

The idea for the letters came from the typographic examples from the beginning of the century, magazines and book covers. 

Wakerobin takes its charming swagger from the hand-painted billboard, poster and signage lettering of the mid-19th century. These showy styles did everything they could to stand out from the background cacophony of advertising, with signwriters using sharp and high contrast serif letters, squared block shapes, or art nouveau forms to grab the attention of passersby. 

Wakerobin embraces the spirit of these letterforms, bringing these various styles together in one typeface - as if users had their own sign painter on hand. Just as lettering artists had to adapt to a variety of sizes - from wide streetcar lettering to compressed forms that squeezed into narrow Victorian windows - the variable version of Wakerobin scales up and down in width to fit whatever environment the user’s working in. The static fonts come in three widths and five weights. 

As well as its adaptability, Wakerobin is bursting with vintage flavour, making it hard to ignore. Its distinctive, spiky serifs would be right at home on food and drinks packaging, as well as shop windows, adverts, and any other place that calls for some typographic showmanship. It performs particularly well in busy environments, or anywhere with a lot of visual noise - just as its historic predecessors did. And while Wakerobin is first and foremost a display typeface, it’s surprisingly elegant when used at text size, or in the lighter end of the weight spectrum.